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Kirsty Housley é encenadora, escritora e dramaturga. O seu trabalho recente inclui Extinct para o Theatre Royal Stratford East, The Long Goodbye em Livestream para a Manchester International Festival and Wetransfer, Tao of Glass no The Royal Exchange para o Manchester International Festival (co-dirigido por Phelim McDermott), Rich Kids: A History of Shopping Malls in Tehran no Sundance Film Festival, BAC and The Traverse, Edinburgh (em co-criação com Javaad Alipoor), Avalanche: A Love Story no Sydney Theatre, I’m a Phoenix, Bitch (co-dirigido com Bryony Kimmings) e Mephisto (A Rhapsody) no The Gate.
Outras peças incluem The Encounter para a Complicité (co-dirigida por Simon McBurney), Misty no The Bush e no West End, The Believers are but Brothers no The Bush, na Ovalhouse, no West Yorkshire Playhouse, no Transform17 Season e no Northern Stage Edinburgh, Myth na RSC (co-escrita com Matt Hartley e disponível no CDAPC), A Pacifist’s Guide to the War on Cancer para a Complicité no National Theatre e Home Manchester.
Housley recebeu o prémio Oxford Samuel Beckett Theatre Trust por Cue Deadly, a Live Film Project, e o prémio inovação Title Pending no Northern Stage. Venceu o prémio de inovação do The Stage em 2017 com The Encounter e foi nomeada de novo em 2019 com The Believers are but Brothers.